Category: Alumni


Dr. Maurice Hobson (MA in AMS, 2002) Gives Keynote at SASA Conference

Dr. Maurice Hobson, an Associate Professor of African American Studies at Georgia State University, gave the luncheon keynote at the Southeastern American Studies Association (SASA) conference in Atlanta on September 29, 2023. Dr. Hobson’s talk was titled “Atlanta, the Black Mecca: It’s Complicated,” during which he assessed the role of black leadership in the city and how the poor and working-class, especially black hip hop artists, contested that governance.

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The Truth Behind an American Studies Degree, by Hannah Dillashaw, B.A.(2020)

Hannah Dillashaw

Every time I tell someone I majored in American studies in college, I get the same response: “Oh, so like, history?” No, not exactly, at least not the history you’re thinking of. Sure, we learn a little bit of history, but we also learn literature, and music, and politics, as well as how to research, write, analyze, use critical thinking… I could go on. But rather than just listing things, below you’ll find a detailed account of what an American […]

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Undergraduate Alum Publishes Essay

Hannah Dillashaw, who earned a BA in American Studies and graduated in 2020, published an essay, “‘Ain’t Never Done Anything but Sing”: Understanding Betsy through Her Canary, in the Explicator. She first explored the topic in Dr. Hubbs’s class AMS 465: Fictions of American Identity. https://www.tandfonline.com/doi/full/10.1080/00144940.2020.1868390  

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Congratulations to Riecher Denmark

Congratulations to Riecher Denmark, an MA student in American Studies, who published an essay, What Barn? The Dialectical Revolt of Sarah Penn in Freeman’s “Revolt of ‘Mother’,” which appears in the Explicator. Reicher first produced this work in Dr. Hubbs’s class, AMS 565: Fictions of American Identity.   https://www.tandfonline.com/doi/pdf/10.1080/00144940.2020.1820932 What Barn? The Dialectical Revolt of Sarah Penn in Freeman’s “Revolt of ‘Mother’”: The Explicator: Vol 78, No 3-4 In “Redefining Place: Femes Covert in the Stories of Mary Wilkins Freeman,” […]

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